Robert Altman’s immaculately photographed film may be diminished by the multiple classics that bookend it, but I’m at a loss as to why this isn’t regarded as one of his best films. If M*A*S*H is foremost a demonstration of Atman’s rejection of industry filmmaking, then The Long Goodbye displays that interest in a more refined form, and much more confidently. And it’s got an uncredited Arnold Schwarzenegger.
by Rumsey Taylor | Source: The Sundance Channel
14 Aug 2005 8:30 PM | Comments (1)
It’s also Jason’s favorite movie.
JIt
16 August 2005
7:22 AM